TNA Thursday Night iMPACT! tonight on AMC.
Watch on AMC, AMC+, & TNA+ (US), Sportsnet & Sportsnet 360 (Canada), TNA+ (internationally)
Watch ROH TV on #HonorClub at WatchROH.com 7/6c
Chelsea Green’s week just went from bad to worse.
After initially being believed to have suffered a sprained ankle on WWE SmackDown, the former WWE Women’s United States Champion has now confirmed the injury is far more serious. Taking to X for another installment of her tongue-in-cheek “Chelsea Chronicles,” Green revealed that she actually broke her ankle.
The injury occurred during last Friday’s Elimination Chamber qualifying match, where Green faced Tiffany Stratton and Lash Legend. While early reports suggested a sprain — with additional testing pending — Green first hinted that things were more severe earlier this week. She posted a photo showing significant bruising on her ankle, along with a humorous list of “demands” directed at WWE management.
Before that, she teased the situation in true Chelsea fashion, telling her loyal “Patri-Hots” that she had survived a “near-fatal fall” and suffered a “career-threatening injury.” Now, the diagnosis has been made official: it’s a broken ankle.
As of this writing, Green has not disclosed how long she expects to be sidelined.
The injury also forced her to miss AAA’s event over the weekend, where she had been scheduled to defend the AAA World Mixed Tag Team Championship alongside NXT’s Ethan Page. La Hiedra stepped in as her replacement, but the duo ultimately dropped the titles to Lola Vice and Mr. Iguana.
Green had already experienced a rocky start to the year after losing the Women’s United States Championship to Giulia on the January 2 edition of SmackDown. More recently, her name trended among fans following comments made by longtime backstage producer Michael Hayes on WWE Unreal, where he suggested Green was not “world championship material.” The remark sparked backlash online, with fans — and her ever-supportive “Patri-Hots” — rallying behind her across social media.
Now, Green faces a physical setback on top of the recent professional hurdles. If her past resilience and ability to turn adversity into entertainment are any indication, however, don’t expect her to stay out of the spotlight for long — even if she’ll be doing so on one good ankle for the foreseeable future.
WWE Hall of Famer Stacy Keibler is mourning the loss of a close friend.
Keibler took to Instagram this week to share a heartfelt message honoring “Dawson’s Creek”and “Varsity Blues” star James Van Der Beek, who passed away Wednesday after battling stage three colorectal cancer. He was 48 years old.
In an emotional post, Keibler revealed that she spent time with Van Der Beek in his final days — something she described as a profound and spiritual experience. Alongside her message, she shared a photo of the two watching a sunset together, a moment she said now carries even deeper meaning.
Reflecting on that evening, Keibler wrote that they spoke openly about life, the uncertainty of the world, and something greater beyond it all.
“We talked about how this world can feel upside down… and how maybe heaven needs your spirit now to help steady us down here,” she shared. As the sun dipped below the horizon, Keibler noted that a shooting star appeared in the sky — a moment she described as feeling anything but coincidental.
The former WWE star also praised Van Der Beek as a devoted husband to his wife, Kimberly, and a loving father to their six children. She called it a blessing to stand beside the family during such an intimate and difficult time, emphasizing how powerful it was to witness the strength and love surrounding him.
Keibler concluded her tribute with a simple but powerful message of gratitude and remembrance, writing that her friend had changed her life and that she would carry his memory with her always.
News of Van Der Beek’s passing was confirmed on his official Instagram account, where a statement asked for privacy as his family grieves. The actor publicly revealed his stage three colorectal cancer diagnosis in 2024 and had been undergoing treatment in the months leading up to his death.
While best known for his breakout role as Dawson Leery, Van Der Beek’s impact clearly extended far beyond Hollywood. As Keibler’s moving tribute shows, his legacy lives on in the lives he touched — both on screen and off.
A surprising backstage decision reportedly kept Brody King off this week’s episode of AEW Dynamite — and it may have had far more to do with corporate politics than creative direction.
According to Dave Meltzer on Wrestling Observer Radio, Warner Bros. Discovery made the call to hold King off the show following last week’s headline-making moment in Las Vegas. During that episode, King shocked viewers by defeating MJF in just over a minute. However, it wasn’t just the upset victory that grabbed attention. The live crowd broke into loud “F*** ICE” chants, which quickly made waves beyond the wrestling bubble.
Per Meltzer, WBD executives were concerned about a repeat of that scenario if King appeared again this week. The fear? That more anti-ICE chants could create unwanted controversy at a time when the company is reportedly navigating sensitive corporate matters — including a pending acquisition deal involving Netflix that would require regulatory approval.
Meltzer emphasized that the decision did not come from AEW President Tony Khan.
“This is from above,” Meltzer stated, noting that executives were wary of drawing negative attention that could complicate regulatory proceedings. He added that if not for the broader corporate landscape — particularly concerns about political sensitivities — the chants themselves may not have been treated as a major issue.
King has been outspoken in his criticism of Immigration and Customs Enforcement (ICE) and has been active in fundraising efforts to support immigrant communities. That public stance, combined with last week’s crowd reaction, reportedly made his presence a potential flashpoint for another viral moment.
The situation is particularly notable because, from a storyline standpoint, a follow-up segment between King and MJF seemed like a logical next step after last week’s decisive result. Instead, the angle was paused — at least for now.
This development highlights the increasingly complicated intersection of wrestling, corporate oversight, and political optics. AEW has often presented itself as an alternative product with a more organic crowd atmosphere, but as the company continues to operate under a major media conglomerate, those raw live reactions can sometimes create challenges at the executive level.
It remains to be seen how AEW will handle King’s return to television. If the Las Vegas crowd reaction is any indication, the issue may not simply disappear the next time he walks through the curtain.
For now, Brody King’s absence appears to be less about creative direction — and more about corporate caution.
The corporate tug-of-war over Warner Bros. Discovery is heating up.
Paramount has officially submitted a revised offer in its hostile attempt to acquire WBD, aiming to counter Netflix’s existing agreement with the media giant. While the per-share price remains unchanged, the new proposal adds financial incentives designed to make the deal more attractive to shareholders — and raise the stakes in an already intense bidding war.
Paramount’s amended bid keeps its original $30-per-share valuation intact but introduces a new $0.25-per-share “ticking fee.” This fee would accumulate for each quarter the deal remains unclosed after December 31 of this year, essentially rewarding shareholders if the transaction drags on.
In addition, Paramount is taking a bold step by offering to cover Netflix’s $2.8 billion termination fee should Warner Bros. Discovery walk away from its current agreement with the streaming giant.
For context, Netflix would face a massive $5.8 billion obligation if it were to back out of the deal on its own.
Paramount also claims it can address some of WBD’s financial concerns, including approximately $1.5 billion in fees tied to debt refinancing. According to the company, it has potential “solutions” in place to ease those burdens — another attempt to sway shareholders.
Warner Bros. Discovery has responded cautiously, stating it will review Paramount’s revised proposal. However, the company is not changing its recommendation that shareholders approve Netflix’s offer.
Netflix recently adjusted its bid into a fully cash-based offer at $27.75 per share. Previously, the proposal included a combination of cash and stock options at the same valuation. The move to an all-cash deal was seen as a strategic play to strengthen Netflix’s position and reduce uncertainty.
Paramount, meanwhile, is urging shareholders to reject not only the Netflix agreement but also WBD’s planned spinoff of Discovery.
For wrestling fans, this isn’t just boardroom drama.
AEW’s future broadcast landscape is directly tied to Warner Bros. Discovery. According to recent filings, AEW would remain aligned with Discovery under the proposed spinoff structure, now referred to as Global Linear Networks. At the same time, AEW’s weekly programming and pay-per-view events are expected to continue streaming on HBO Max.
While none of the proposed corporate changes appear to immediately disrupt AEW’s current television and streaming setup, large-scale media mergers often bring long-term shifts in strategy, branding, and distribution priorities.
If Netflix ultimately acquires WBD, that could create intriguing possibilities regarding streaming integration and international reach. On the other hand, a successful Paramount takeover would reshape the media landscape in a completely different direction.
For now, AEW appears stable in its current arrangements — but the larger media chess match is far from over.
As this high-stakes battle between Paramount and Netflix unfolds, the ripple effects could extend well beyond Hollywood — and into the weekly world of professional wrestling.
AEW Dynamite airs live tonight at 8pm ET on TBS and HBO Max from the Toyota Arena in Ontario, California.
Backstage Frustration Growing in WWE as WrestleMania 42 Plans Remain Unclear
WWE is no stranger to creative shake-ups, especially in the post-Vince McMahon era under Triple H. While the company initially saw a wave of positive momentum when Paul “Triple H” Levesque took over creative, the honeymoon period may be fading — and not just among fans.
Recent reports suggest that some WWE talent are feeling uneasy as WrestleMania 42 approaches, with several top stars reportedly unsure of their direction heading into the biggest show of the year.
According to claims made on the Self-Made Pro podcast — which, to be clear, remain unconfirmed — multiple main event-level WWE stars allegedly do not know what their WrestleMania plans are at this stage.
That uncertainty is said to be creating frustration internally. Several talents are reportedly “annoyed” about the constant shifting of creative direction and the lack of clarity regarding long-term plans.
One particularly interesting note making the rounds involves the perceived creative divide between RAW and SmackDown. There’s reportedly a growing sentiment among talent that being assigned to one brand over the other carries different creative implications. Some performers are said to be fully aware of what being on Friday nights might mean for their positioning compared to Mondays.
If accurate, that speaks to a broader internal perception issue — not just about creative instability, but about brand hierarchy.
Dave Meltzer has echoed similar concerns regarding WWE’s current state of flux. According to Meltzer, WrestleMania 42 ticket sales are reportedly down around 18% compared to this time last year.
To put things into perspective, roughly 36,000 tickets have reportedly been distributed so far. That’s hardly a disaster by most standards. However, WWE has grown accustomed to WrestleMania being an instant sell-out-level attraction in recent years. By comparison, this year’s advance may feel underwhelming internally.
Meltzer noted that there’s disappointment within the company regarding the current pace, even though the event is still expected to fill the venue. One complicating factor is that early ticket numbers can include complimentary tickets, making it difficult to get a fully accurate picture of true demand at this stage.
Still, the perception of softer sales appears to be influencing decision-making.
Perhaps more concerning is the reported internal criticism directed at Triple H. Meltzer claims there has been frustration over constant creative changes, with plans being adjusted repeatedly rather than sticking to a set course.
Some within WWE reportedly feel the frequent pivoting resembles the old Vince McMahon-style last-minute rewrites — something many believed would be a thing of the past under Levesque’s leadership.
The logic behind the changes? According to reports, there’s a belief that altering the WrestleMania card could boost interest. However, critics internally have pointed out that fans don’t even fully know what the card looks like yet. With only one match — CM Punk vs. Roman Reigns — reportedly locked in, there isn’t a finalized lineup for fans to react to in the first place.
Even heavily speculated matches, including a potential Cody Rhodes vs. Drew McIntyre bout, are said to be far from guaranteed.
At this stage, everything outside of Punk vs. Reigns is reportedly fluid.
It’s important to note that WrestleMania is still expected to be a major success. By most industry standards, the ticket numbers are strong — especially given modern pricing structures. However, WWE’s recent run of red-hot WrestleManias has likely raised internal expectations to historic levels.
The bigger concern may not be ticket sales at all, but perception. If talent feel directionless and creative plans remain in flux, morale can take a hit during what should be the most focused and cohesive stretch of the year.
As the Road to WrestleMania 42 continues, all eyes will be on how WWE solidifies its biggest matches — and whether stability returns behind the scenes.
For now, it appears the only certainty on the Grandest Stage of Them All is CM Punk vs. Roman Reigns. Everything else? Still up in the air.
WWE NXT tonight at 8pm ET on The CW.
The Sandman’s wild, beer-soaked ride through professional wrestling is finally coming to an end — but in true Sandman fashion, he’s doing it in the most unconventional way possible.
After an incredible 37-year career, the former WWE star and ECW icon is set to wrestle his final match this April at Joey Janela’s Spring Break. When Metallica’s “Enter Sandman” hits for the last time, fans will witness a farewell that nobody could have predicted: The Sandman vs. The Invisible Man.
Joey Janela revealed the surprising matchup on social media Monday night, dropping a trailer that instantly sent the wrestling world buzzing. While retirement matches are often emotional, straight-ahead affairs, this one leans fully into the absurd and creative energy that Spring Break has become known for — and that’s exactly why it fits Sandman so well.
For those unfamiliar, The Invisible Man is one of GCW’s most infamous long-running gimmicks. He rose to prominence during his surreal feud with Invisible Stan in 2019, which culminated in a fully officiated match at Joey Janela’s Spring Break 3, complete with AEW referee Bryce Remsburg calling the action. Despite being declared “dead” later that year, The Invisible Man has made sporadic returns ever since, popping up in GCW matches in 2020, 2022, and as recently as 2025.
Sandman’s retirement bout also continues a recent Spring Break tradition. He becomes the second consecutive ECW legend to close out their career on Janela’s stage, following the late Sabu, who wrestled his own final match last year in a brutal No Ropes Barbed Wire bout against Janela himself.
There’s also a bit of poetic irony in this matchup. This will mark the first time in Sandman’s career that he’s literally unable to see his opponent in a wrestling context — a fitting callback to one of the most memorable angles of his ECW run. In 1994, Sandman famously pretended to be blinded during an I Quit match against Tommy Dreamer, only to later reveal the injury was all a mind game.
Whether it turns out to be chaotic, comedic, emotional, or all of the above, The Sandman’s final match feels perfectly on-brand. It won’t be traditional. It won’t be predictable. And it certainly won’t be forgotten.
One last Singapore cane shot, one last beer smash — and one last swing at the invisible.
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